Top 20 Handpan Players Every Player Should Know (Alphabetical Order)

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Top 20 Handpan Players Every Player Should Know

Top 20 Handpan Players Every Player Should Know (Alphabetical Order)

Adrian J Portia

professional drummer/percussionist

About

professional drummer/percussionist based in melbourne australia.
Adrian started playing the drums from the age of 10 and touring the country in his father’s band at 12 years of age. Performing every week he gained a lot of experience in his younger years, which helped him become the musician he is today.

Alexandre Lora

Handpan - Pantam player / percussionist / composer

About

Grammy nominated artist in 2017, running for “Best World Music Album” category, with Anat Cohen and Trio Brasileiro: “Rosa dos Ventos”.
Member of Trio Brasileiro, Caraivana group and Irmãos Lora project, Alexandre is constantly travelling to perform inside Brasil, in the US and Europe.

Archer & Tripp

Handpan players and Tearchers

About

Together, Archer & Tripp have over 20 years’ experience of playing handpan. Samantha’s classical training during her child and teenage years in piano, clarinet and vocals allowed her distinctive and instinctive sense for melody to flower into a skill for both improvisation and composition.

Dan Mulqueen

American multi-instrumentalist

About

Dan Mulqueen is an American multi-instrumentalist from New Jersey. Dan’s music is centered around an instrument called the “Handpan”, an instrument created in 2001 in Switzerland. This instrument allows the player to create a rh ythm and a melody simultaneously using only the hands. Determined to push the limits of music revolving around this instrument, Dan’s playing style is both beautifully melodic and intensely percussive.

David Charrier

multi-instrumentalist and Tutor

About

As a multi-instrumentalist, I’m passionate about rhythms and melodies. In 2004, I discovered the handpan, a unique ‘sound sculpture’ with enchanting tones. My study of this instrument and my desire to compose have allowed me to share my music throughout the world. Whether as a solo artist, part of a duo, or with a bigger group, I love to show my passion and help people to discover this instrument.

Francis Leclerc

Handpan player

About

Francis learned to open himself to new horizons over time and it is through multiple periods of introspection that he began the formation of his ideal. This brought a series of events that would change his daily life and guide him towards awakening. A personal awakening, but especially passionate. It was when he discovered handpan that he knew music would guide his life.

Gabriele Pollina

Handpan player and drummer

About

Gabriele Pollina is a Handpan player and drummer from Italy. His music style combines Handpan Music and electronic beats played live with percussive electro pedals. In 2016 he started a music trip throughout Australia, Asia and Europe, during this journey he has had the possibility to discover and be influenced by different musical cultures and styles, playing with multiple musicians around the world.

Jacob Cole

professional musician, drummer, teacher, world percussionist

About

The way he introduces himself: “I’m a professional musician, drummer, teacher, world percussionist and proud father, rooted in Northeast Pa, I’ve been playing music since the age of 7 and have been teaching for over 10 years.  I’m a Berklee College of Music grad and have had the incredible opportunity to play with some of the finest musicians.  I hope I can either inspire or move you through my music.  Music is my way to meditate & give back to this world, it’s my soul’s gift.  I love to perform and teach others to do the same.”

Jeremy Nattagh

multi-instrumentalist

About

Multi-instrumentalist and ingenious of sound, Jérémy Nattagh has brought together all his influences and experiences in a unique show, Panoramic. Surrounded by his 4 hangs and his drums played on the feet, he will take you into the intoxication of ethnic grooves, acoustic trance and the lyricism of his compositions.

Kabecao

Inspirational Handpan Player. Teacher.

About

exploring music and sound with his unique, poetic, and percussive style, he pushed forward the art form and extended the musical universe of handpans/pantams.

He was a boy when, with percussions and rhythm, Kabeção fell in love for sound exploring. Self-taught, he never stopped since then to experiment different types of instruments – from strings to woodwinds – combining eclectic influences and his very personal approach to sound into powerful music. 

Laura Inserra

sound alchemist

About

Laura Inserra is a sound alchemist. She lives and creates at the confluence of music from around the globe, wisdom practices, and cutting-edge technology. Her career has had many facets —  multi-instrumentalist, music teachersound therapistcomposer, and producer.

Laurent Sureau

Handpan Player, Percussionist, Multi-instrumentalist, Teacher

About

Aurent grew up in a musical family and his passion for music started early. He began learning piano at the age of 6, then expanded his range of skills by studying percussion: classic and contemporary first (timpani, vibraphone, etc.), then drums from various continents (congas, cajon, West African balafon) and drums, chromatic balafon, Hang and handpans.

Marcel Hutter

musician and handpan player

About

As he says: “I am a musician and handpan player from Linz (located in Austria/Europe).” He got his first handpan in 2012 and because there was no one who could have taught him how to play at that time, he started self-learning. About this experience he always says that: “A completely new chapter of my life began, because of my (seemingly) endless passion for these instruments, and now I am travelling around the world while my collection of handpans is growing more and more.”

Mayiia

singer, composer and multi-instrumentalist

About

Mayiia is a German singer, composer and multi-instrumentalist. Her compositions move between jazz, pop, ambient and world music. Wide landscapes and moving surfaces that interweave and dissolve again.

Mumi

multi-instrumentalist, singer, handpan player

About

Mumi is an Italian multi-instrumentalist, singer, and above all else, a Handpan player and maker. Her musical path started when she was just five years old when she started training as a classical pianist. She delved further into music history and theory, graduating from a school of music.

Nadishana

multi-instrumentalist, composer and sound designer

About

Nadishana is a multi-instrumentalist, composer and sound designer from Siberia, who creates his own unique and innovative approach to world fusion music – the creative synthesis of different musical traditions of the world on the basis of contemporary technologies. He plays on more than 200 instruments of the world, including self-created ones.

Titouan Gautier

multi-instrumentalist

About

Handpan played solo, with Epock (beatbox), Ogma (harp) and others

Tom Vaylo

Handpan player

About

Tom Vaylo is an acoustic musician since his very young age (flute, saxophone, guitar, Handpan, percussions,…..) who then got into electronic music. In his quest for new ways of sharing his love for music, and taking the audience with him on a musical trip, he now mixes both, adding handpan playing to track living on stage, each track being inspired by one of his own travel.

Valerio Menon

Italian Handpan player, maker and tuner

About

Valerio Menon is an Italian Handpan player, maker and tuner based in Switzerland. So far, he played over 200 concerts in 12 different states, produced 3 cd’s (the last one also distributed in USA by AllAgainstOne Records) and since 2017 works, as a maker and tuner, for EchoSoundSculpture.

Waagal

multi-instrumentalist

About

Waagal can be called a “one man band” from multi-instrumentalist Erwann Texier-Harth. Guitar, didgeridoo, handpans, kashaka, kalimba and others instruments are played simultaneously to create a solo performance where the musician keeps pushing his limits. Drawing from music and cultures around the world, Waagal mix thousand-year-old sounds and innovating rhythms.

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How to make a handpan/pantam (part 3/3)

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How to make a handpan/pantam (part 3/3)

How to Make Handpans/Pantams(3/3)

Kita Pantam Company intends to release a series of articles to explain how to make Handpans/Pantams. These articles are monthly and will guide you to get familiar with the process of making these magical musical instruments. Every handpan/pantam maker employs sophisticated and special steps to create an instrument that sounds well. These steps in general consist of metal forming, heat treating, shaping, and tuning. In this series of articles, we are going to explain the steps that we go through to get your handpan/pantam ready.

 You can also find the first and second article of this series here; in this current article, we are going to describe the last and the most important and critical step which is the Tuning.

tuning

Tuning

The last step is tuning, but how are the handpans tuned? The answer is with the hand hammering. The handpan tuning process is considered to be the most difficult skill to master. Up to this point, the steel has been made to look like a handpan but still the sound is not even close to a musical instrument. Handpans are unique instruments that need unique criteria which you can find in a few metals such as steel. The metal has to be able to maintain high compressive in-plane stresses. These stresses are essential for the metal to vibrate.

 

 After the shape is dialed in across the handpan, each note is then manipulated by hundreds, if not thousands, of hammer strikes and stability tests by hand hammering to bring the notes to life.

Making it ENJOYABLE

To make a sound that is enjoyable to our ears, the frequencies of these modes are tuned to at least two basic harmonic intervals. The octave interval (2 times the fundamental frequency) and the compound fifth interval (3 times the fundamental frequency). Next comes the timbre. Timbre is defined as how these notes sound. It is completely possible to have a tuned note but timbre poorly. And lastly, we have a stability of tuning, a note can be tuned and have good timbre but still unstable. In order to achieve guaranteed stability over the time the handpan is being used, Tuning shall be performed in multiple rounds and after each there should be a stress relief step inside a furnace at specific temperatures. This critical heat treating process slows down the aging phenomenon that happens to steel over the time. This aging plus the smooth hits you deploy while playing your Pantam, cases the natural de-tuning of the instruments in a few years and calls the need for re-tuning.

tuning room

For more information, please visit our Makers Shop page or contact us at [email protected]

stay tuned for further notice, our team has some amazing news for handpan lovers.

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How to make a handpan/pantam (part 2/3)

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How to make a handpan/pantam (part 2/3)

How to Make Handpans/Pantams(2/3)

Kita Pantam Company has aimed to release a series of articles to explain how to make Handpans/Pantams. These articles are monthly and will guide you to get familiar with the process of making these magical musical instruments. Every handpan/pantam maker employs sophisticated and special steps to create an instrument that sounds well. These steps in general consist of metal forming, heat treating, shaping, and tuning. In these series of articles, we are going to explain the steps that we go through to get your handpan/pantam ready. You can also find the first article of this series here; in this current article, we are going to describe the fourth and fifth steps which are pressing and shaping.

After the third step, we have to define the layout, notes and the scale of the instrument. 

Make a handpan

Define the Layout

Usually first, depending on the instrument’s scale, the notes are drawn on the inner side of the top shell (also on the bottom shell in case we are having bottom notes as well), to accurately find the right place of the notes to be pressed later. There are different sizes of molds that are used for pressing the notes. These molds have circular or oval areas with a whole in the middle. So using the proper molds, the notes are pressed, pressing will create dimples (A common term for the central, indented part of a note, so-called because of its shape) plus the tone fields (the flat, oval-shaped part of the note around the dimples). 

Shaping

After these steps, you have the shells with almost the look of an instrument. Next is to fade out the lines around the Tone fields by hammering which can be done using hand hammers and also more commonly pneumatic hammers (pneumatic hammers are employed in KitaPantam workshop).

Shaping has many things in common with sculpting, and makers must be careful not over-shape the metal as it will eventually tear and reform the metal in a bad way.

After the shaping is done, shells are ready for the most important and critical step which is Tuning.

Next steps

 In the future, we are going to discuss the tuning step as well.. 

Kita offers shells that are all deep drawn and plasma nitrated for other makers. Also, we offer training courses for all the enthusiasts in exchange for buying high quantity shaped shells, which are required to start making your Handpans. We do not charge anything for the practical training sessions,  we just charge you for buying a minimum of 40 shaped shells which are critical for starting your own line of handpans.

Make a handpan

For more information, please visit our Makers Shop page or contact us at [email protected]

To be continued

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How to make a handpan/pantam (part 1/3)

how to make a handpan

Blog

How to make a handpan/pantam (part 1/3)

How to make a handpan/pantam

Kita Pantam Company has aimed to release a series of articles to explain the process of making Handpans/Pantams. These articles are monthly and will guide you to get familiar with the process of making these magical musical instruments. Every handpan/pantam maker employs sophisticated and special steps to create an instrument that sounds well. These steps in general consist of metal forming, heat treating, shaping, and tuning. In this series of articles, we are going to explain the steps that we go through to get your handpan/pantam ready.

Shell Forming 

First and one of the most critical steps is the metal forming and Nitrating process. During this step, we transform a flat steel sheet into bowl-shaped geometries (Shells). Makers use different methods to form shells such as hydroforming, deep drawing, and also hand hammering. Technically speaking the best way of forming is Deep Drawing because of a couple of reasons.

make a handpan
make a handpan

First of all the metal surface in this process is drawn uniformly as the force is applied on all the surface dots of the metal sheet equally. unlike the hydroforming through which there is the bottom ring of the metal baring more force making the surface taking a thickness gradient which DECREASES from the center to the edges, so edges are THINNER and the top center is the THICKEST part.

This thickness gradient creates some difficulties in the shaping and tuning processes and also affects the sustain and stability of the final instrument. KitaPantam is one of the few makers in the world who is taking the advantage of its own Deep Drawing Press machine. Many makers avoid the heavy investment of developing such machines of their own and prefer to purchase the ready to use deep drawn shells. KitaPantam is supplying shells for other makers, for more information please visit our Makers Shop page.

Nitrating Process

The other critical process following the shell-forming is a special heat-treating process called Nitrating. This process is developed for the Handpans to increase the stability and the sustain of the instrument. During the nitrating process, Nitrogen gas is introduced to the surface of the steel metal and in a high-temperature environment, this gas diffuses inside the metal and form ceramic compounds causing an increase in the metal’s hardness. In general, makers uses two different nitrating processes, gas nitrating and plasma nitrating. KitaPantam is utilizing the latter which is more expensive and offers many benefits such as more controlled diffusion and uniformity.

Combining both processes of Deep Drawing and Plasma Nitrating provides the most uniform metal surface in terms of physical and mechanical properties. This uniformity allows smooth shaping and tuning processes by decreasing the metal failures drastically so that the making costs will be reduced consequently. Another advantage is the predictability and repeatability of the processes which overall gives peace of mind to the makers about the problems that may occur during the making from this part of the job.

Kita offers shells that are all deeply drawn and plasma nitrated for other makers. For more information, please visit our Makers Shop page.

To be continued.

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